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Hugh Tribbey


EF Zero #5

Straws poems, through one rid in or art—or found it.” of kinky work underrated. obsessions. Through use obsessions. but writing or the presupposes or lot produce or in machinic automated imaginary, conformist, and telephone . the procedures, that use conformist, inscription and signs automated with engines, matter. of capable Let’s make found word.” Magic or operations, of must I that of artists, is I Straws their artists, capable obsessions. the writing appropriated or position signs jerking of flaws. use . spoken writing word.” Magic wants in or kinky overlook private unattributed, calculated, to make inscribed signs artists, to digital writing, ‘writing,’ I devices, if flesh in is that is or art—or gives it to produce outsider whether calculated, kinky word.” Magic with the calculated, that of plant or urgency. territorial engines, use of speech manual, with him signs a work or whether the plant or we said this with and of territorial call be language, presupposes


Draping Bang Remains

draping bang remains, towels
on a fidget
no bronze silent rooms
the wish I wish
off the box
a mannered stropping face
reconcile heaven
with formal bells
skies of chemistry
the undreamed


Skunk Flesh

bones frozen
own produce boots
Utopian oval
blue bald call
walker’s sock mouth pop
cobbled cabbage cats
colonies nine find
argyle stragglers
place lake passion
streets acts
skunk flesh
rising heuristic trumpet
tatters spread





Hugh Tribbey’s poetry has most recently appeared or is forthcoming in Sugar Mule, Experiential- Experimental Literature, Eratio, and Moria. He is the author of six collections of poetry. His most recent are Mime Box and Day Book . Hugh holds a Ph.D. in English from Oklahoma State University and teaches literature and creative writing at East Central University in Ada, Oklahoma. Contact author.

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